Art Haseltine's b&w images originally were produced with medium-format cameras (6x6mm and 6x7mm), and b&w film (Ilford Delta 100). He used a variety of underwater housings to protect the cameras (Pentax, Rollei, Hasselblad, and Mamiya). Gelatin-silver prints were made in the darkroom, using classic fine-art techniques. However, Art slowly has transitioned to newer, digital techniques. Currently, he uses a digital SLR camera (Nikon D300) in a Subal underwater housing (ND30); and he uses two underwater strobes for illumination (Inon Z-240). His underwater photography equipment is purchased from Backscatter Underwater Video & Photo (www.backscatter.com), in Monterey, California. Art shoots in the color mode (RGB), and converts to b&w with imaging software (Adobe Photoshop CS3). His prints are produced on an inkjet printer (Epson Stylus Pro 3800), using pigment inks (Epson Ultrachrome K3), on fiber paper containing no optical brighteners (Ilford Galerie, Gold Fibre Silk). Prints are dry mounted on bright white, 4-ply, 100% rag board. Maximum size is a 16x20-inch print mounted on 22x28-inch board. Art's goal with his b&w photography is to achieve carbon-pigment images that have similar fine-art and archival qualities as classic gelatin-silver prints.
All Art Haseltine's images are copyrighted, and all rights are reserved. Please email Art (fotosea@yahoo.com) for information about use or purchase.